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The Science of Waiting

The Science of Waiting

One practical realm in which this comes up: how long a webpage (seems to) take to load. How are programmers designing tricks to make this seem faster? Do animations help or not help? Check out the article in Wired.

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Tagged under
  • waiting
  • time perception

Related items

  • Is Time Real?
  • Your brain constantly re-calibrates its timing.
More in this category: « Book extract from "The Brain: The Story of You" in the Financial Times A new map of the human brain »
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From the Blog

  • BrainCheck
    BrainCheck

    How can you collect data reflecting the changes in cognitive function that appear when someone has a concussion? BrainCheck combines neuroscience with a mobile platform to gauge changes from baseline.

  • The Brain and the Now
    The Brain and the Now

    I recently spoke at the Long Now Foundation's 20th anniversary event.

  • Why public dissemination of science matters
    Why public dissemination of science matters

    Communicating science to the public can take time away from a busy research career. So why should scientists do it? I offer a manifesto of six reasons in the Journal of Neuroscience. 

  • Q & A in New Scientist magazine
    Q & A in New Scientist magazine

    Read a Q&A with David in New Scientist to find out his ideas and advice to young scientists.

In other news...

Emily Blunt reads for the Sum audio book

Hear the actress Emily Blunt (Young Victoria, Devil Wears Prada) read "The Cast" from Sum. She is one of the dozens of terrific actors who read for the audio book.

Eagleman and Brian Eno bring Sum to Sydney Opera House

In June, 2009, David Eagleman collaborated with musician/producer Brian Eno to perform a musical reading of Sum to 1,000 people at the Sydney Opera House. In May of 2010 they performed together again to 1,200 people at the Brighton Dome in England. Stay tuned for further performances.

SUM at the Royal Opera House

ROHSUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.

 

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